Airport Art Steering Committee
To attend the meeting as a member of the public, please visit: https://bit.ly/2PsHXpx
Natural Landscape
Ansel Adams, Moon and Half Dome, Yosemite National Park, CA, gelatin silver print, 9-1/4” x 7-1/4”, 1960, $9,500
Robert Adams, Dead Palms, Partially Uprooted, Ontario, California, gelatin silver print, 16” x 20”, 1983, $21,000
Robert Adams, La Loma Hills, Colton California, gelatin silver print, 16” x 20”, 1983, $19,000
Wynn Bullock, Let There be Light, silver gelatin print, 7-1/2” x 9-1/2”, 1954, $25,000
Wynn Bullock, Rocks and Waves, silver gelatin print, 7-1/2” x 9”, 1968, $10,000
Wynn Bullock, Tree Trunk, vintage gelatin silver print, 7-1/2” x 9-1/2”, 1971, $15,000
Linda Connor, Leaf, California, contact print on printing out paper, 8” x 10”, 1972, $3,500
Imogen Cunningham, Log on Beach, vintage gelatin silver print, 7-1/2” x 9-1/4”, 1948, $25,000
Richard Misrach, Burnt Forest and Half Dome, Yosemite, pigment print, 30” x 37”, 1988, $18,000
Richard Misrach, Dead Fish, Salton Sea, pigment print, 20” x 24”, 1983, $18,000
Brett Weston, Garrapata Beach, California, gelatin silver print, 7-1/2” x 9-1/2”, 1954, $10,000
Edward Weston, China Cove, gelatin silver print, 7-1/2” x 9-1/2”, date unknown, $6,000
Edward Weston, Dante’s View, gelatin silver print, 7-1/4” x 9-1/4”, 1938, $8,000
Community/Documentary
Ricardo Alvarado, Band playing at Flat Party, archival pigment print, 20” x 24”, date unknown, $400
Janet Delaney, “Cookies not Contras,” Peace, Jobs and Justice Parade, (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1986, $1,500
Janet Delaney, Dominique DiPrima on Stage (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1985, $1,700
Janet Delaney, I May Not Get There…First Martin Luther King Jr. Day Parade, (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1986, $1,500
Janet Delaney, The Carnaval Ride (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1985, $1,500
Janet Delaney, Woman with Mexican Flag (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1985, $1,500
Janet Delaney, Young Couple at Carnaval (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1984, $1,500
Anthony Hernandez, Public Transit Areas #6, gelatin silver print, 30” x 40”, 1979, $9,000
Anthony Hernandez, Public Transit Areas #8, gelatin silver print, 30” x 40”, 1979, $9,000
Anthony Hernandez, Public Transit Areas #10, gelatin silver print, 30” x 40”, 1980, $9,000
Anthony Hernandez, Public Transit Areas #46, gelatin silver print, 30” x 40”, 1979, $9,000
Michael Jang, At Home with the Jangs, archival pigment print, 30” x 40”, 1973, $10,000
Michael Jang, Chris Skiing, archival pigment print, 40” x 30”, 1973, $10,000
Michael Jang, Lucy Wearing Green, archival pigment print, 30” x 40”, 1973, $10,000
David Johnson,1223 Fillmore Street, archival pigment print, 20” x 24”, C.1940s, $400
David Johnson, A Crowd at the Primalon Ballroom, archival pigment print, 20” x 24”, C.1950s, $400
David Johnson, Bird’s-Eye View of Fillmore Street, Looking South Towards Post Street and Geary Street, archival pigment print, 20” x 24”, C.1940s, $400
David Johnson, Dancing in a Fillmore Flat, archival pigment print, 20” x 24”, C.1940s, $400David Johnson, Dancing at a Fillmore Nightclub, archival pigment print, 20” x 24”, C.1940s, $400
David Johnson, David Robinson, The Bass Player for Roy Milton’s Band, on the Floor of the Primalon Ballroom, 20” x 24”, C.1940s, $400
David Johnson, Rhythm Records, 1980 Sutter Street, archival pigment print, 20” x 24”, 1947, $400
Wesley Johnson, Crowd at Texas Playhouse, September 10, 1958, archival pigment print, 20” x 24”, 1958, $400
Wesley Johnson, Bar Patrons Outside the Club Flamingo, archival pigment print, 20” x 24”, C.1940s, $400
Wesley Johnson, Earl Grant on Organ, Junius Simmons on Guitar, Blue Mirror, archival pigment print, 20” x 24”, 1956, $400
Wesley Johnson, Lottie “The Body” Claiborne and her Husband Harlem Globetrotters Star Goose Tatum at a Good-Bye Party at the Texas Playhouse, Celebrating their Trip to Yokohama, Japan, archival pigment print, 20” x 24”, C.1950s, $400
Jerry Stoll, Jam Session Inside Bop City, archival pigment print, 20” x 24”, date unknown, $400
Unknown Photographer, A 1951 jam session inside Bop City, archival pigment print, 20” x 24”, 1951, $400
Unknown Photographer, Deborah Saunders King Collection, Saunders King with One of His Many Hollow-Body Guitars, archival pigment print, 20” x 24”, C.1970s, $400
Unknown Photographer, Singer Sweetie Mitchell, Saxophonist Sammy Simpson, and Unknown Band at an Unknown Fillmore Club, archival pigment print, 20” x 24”, C.1950s, $400
Garry Winogrand, Klamath River, California, gelatin silver print, 14” x 11”, 1964, $9,500
Garry Winogrand, Los Angeles International Airport, gelatin silver print, 14” x 11”, 1964, $21,000
Built Environment
John Divola, Zuma #5, archival digital color pigment print, 24” x 30”, $10,000
John Divola, Zuma #12, archival digital color pigment print, 24” x 30”, $10,000
John Divola, Zuma #70, archival digital color pigment print, 24” x 30”, $10,000
Lee Friedlander, Alameda, California, gelatin silver print, 11” x 14”, 1967, $9,500
Lee Friedlander, Los Angeles, California, gelatin silver print, 11” x 14”, 1970, $14,000
Fred Lyon, Boy on Bicycle, Cabrillo and 22nd Avenue, gelatin silver print, 14” x 11”, C.1950s, $2,500
Fred Lyon, Fairmont Hotel in Fog atop San Francisco’s Nob Hill, vintage gelatin silver print, 14” x 11”, C.1950s, $7,500
Catherine Wagner, Arch Construction IV, George Moscone Site, San Francisco, archival pigment print, 20” x 24”, 1978, $12,000
Catherine Wagner, Northern Vista, George Moscone Site, San Francisco, archival pigment print, 20” x 24”, 1978, $12,000
Edward Weston, Plasterworks, gelatin silver print, 9-1/8” x 7-1/4”, 1927, $12,000
ACCESSIBLE MEETING POLICY
Per the Americans with Disabilities Act and the Language Access Ordinance, Chinese, Spanish, and/or American Sign Language interpreters will be available upon request. Additionally, every effort will be made to provide a sound enhancement system, meeting materials in alternative formats, and/or a reader. Minutes may be translated after they have been adopted by the Commission.
利便参與會議的相關規定
根據美 國殘疾人士法案和語言服務條例，中文、西班牙語、和/或美國手語翻譯人員在收到要求後將會提供翻譯服務。另外，我們將盡力提供擴音設備。同時也將會 提供不同格式的會議資料， 和/或者提供閱讀器。此外，翻譯版本的會議記錄可在委員會通過後提供。
POLITICA DE ACCESO A LA REUNIÓN
De acuerdo con la Ley sobre Estadounidenses con Discapacidades (Americans with Disabilities Act) y la Ordenanza de Acceso a Idiomas (Language Access Ordinance) intérpretes de chino, español, y lenguaje de señas estarán disponibles de ser requeridos. En adición, se hará todo el esfuerzo posible para proveer un sistema mejoramiento de sonido, materiales de la reunión en formatos alternativos, y/o proveer un leedor. Las minutas podrán ser traducidas luego de ser aprobadas por la Comisión.
PATAKARAN PARA SA PAG-ACCESS NG MGA MITING
Ayon sa batas ng Americans with Disabilities Act at ng Language Access Ordinance, maaring mag-request ng mga tagapagsalin wika sa salitang Tsino, Espanyol at/o sa may kapansanan pandinig sa American Sign Language. Bukod pa dito, sisikapin gawan ng paraan na makapaglaan ng gamit upang lalong pabutihin ang inyong pakikinig, maibahagi ang mga kaganapan ng miting sa iba’t ibang anyo, at/o isang tagapagbasa. Ang mga kaganapan ng miting ay maaring isalin sa ibang wika matapos ito ay aprobahan ng komisyon.