Public Art Proposal Display

Artwork Proposals for 11th and Natoma Park ("Rachele Sullivan Park")

The San Francisco Arts Commission is conducting a review process to choose a proposal for artist-designed, powder-coated panels for the perimeter park fence along 11th Street between Minna and Natoma Streets in San Francisco. 

The goals of the project are to:

  • Promote neighborhood connection, a sense of belonging, inclusivity, and play. This may include celebrating the diverse identities, values and living legacies of SOMA Pilipinas and the Leather & LGBTQ Cultural Districts.
  • Provide an artwork opportunity for artists with a meaningful connection to the neighborhood. 
  • Engage the community through artist-led programming to help inform the development of the artwork design.  

Three artists/artist teams were chosen as finalists by a Public Art Review Panel to design site-specific proposals for this artwork opportunity. The artists/artist teams are: Juan Manuel Carmona, Ricardo Estella and Ethel Revita of Creativity Explored, and Jenifer Wofford. 

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SF LOVE

Juan Manuel Carmona

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The main motif for the 11th and Natoma Park public art project is the LOVE that we all share as diverse citizens for our beloved San Francisco. 

The title for this public art project is SF LOVE and consists of an 11-foot high powder-coated aluminum perimeter fence along the 11th Street frontage of the new park. This fence is created with a total of 57 laser-cut panels of approximately 41 x 65 inches each. 

From a leather pup and drag queen nun to Filipino heroes and Rosie the Riveter, this inclusive composition aims to positively inspire a wide audience regardless of age, gender, or background. 

The Pup: This character represents a tribute to the Leather & LGBTQ+ District and to the infamous street festivals that take place in the SOMA neighborhood. Reference to the Serge Gay mural on Mr. S Leather building on 8th & Heron St. 

The Drag Nun: The Sisters of Perpetual Indulgence as a laughing nun, a homage to this organization, drag performers and OASIS SF nearby (11th & Folsom St.). 

The Worker: This worker with a hammer in his hand is a reference to the working class and immigrants coming to this country to work for the “american dream”. Reference to Diego Rivera's working class style and murals in San Francisco. 

Bayani: ‘bayan’ community / ‘bayani’ hero. This figure represents solidarity within and among immigrant communities living in SOMA and a tribute to the Filipino Cultural Heritage District. Bayani represents community care beyond the individual, focusing instead on collective well-being. 

Sombrero Guy: This character is a tribute to my Mexican heritage, the Latino community living in San Francisco and the history of California. Sombrero Guy represents the sun/day side of “La Jornada” -an allegory to the working day. 

Rosie the Riveter: An allegorical cultural icon in the United States who represents the women who worked in factories and shipyards during World War II. This character is portrayed as a person of color with equal strength as the Sombrero Guy. Rosie is a homage to Women empowerment but also represents the night/moon side of “La Jornada”. 

Leather Pride Flag: The leather pride flag is a symbol of leather subculture as well as kink and fetish subcultures more broadly, including BDSM. The flag was designed by Tony DeBlase in 1989. 

Filipino Coat of Arms: Features the eight-rayed sun of the Philippines with each ray representing the eight provinces (Batangas, Bulacan, Cavite, Manila, Laguna, Nueva Ecija, Pampanga, and Tarlac) and the three five pointed stars representing the three major island groups of Luzon, the Visayas, and Mindanao. 

View a larger image of SF LOVE by Juan Manuel Carmona. 

 

Hillsides of Home

Ricardo Estella and Ethel Revita in collaboration with Creativity Explored

 

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Hillsides of Home is a whimsical collection of childhood memories of the Philippines by Ricardo Estella, illuminated by Ethel Revita’s energetic, patterned hillsides. Both artists are long-time members of Creativity Explored, an artist collective for adults with disabilities, where they have developed rich, interdisciplinary art practices over the last two decades. Taking inspiration from the community member's wishes for the art at 11th and Natoma, the artists explore themes of nature, flora, history, and their shared Philippine heritage. For this composition, artists collaborated closely with CE staff to develop new works, which were then integrated among existing artworks. 

Estella’s imagery is packed with heartfelt symbolism tied to formative memories of the 1960’s Baguio countryside. Deeply rooted in place, Estella’s design pays tribute to the home he grew up in, the animals he helped care for, and a deep appreciation for the natural beauty of the land. Highlighted throughout the design is a series of Bahay Kubos, a style of house that is raised on stilts, inspired by his childhood home. The Taal Volcano, which anchors the landscape behind his grandparent’s home, repeats across the design and is a signature motif for Estella. Ethel Revita’s rich patterning further leans into celebrating the beauty of the rolling hills and sets the perfect scene for Estella’s carabao, chickens, and other animals. Together, they create a joyous melody.  

To produce this design, CE Staff member Kate Hope, digitally translated imagery as artwork was selected, then digitally collaged it into this composition. The orange color of the fence is an homage to Creativity Explored’s signature color and ties in perfectly with the color palette of the new park, unifying the fence with the play structure, benches, and foliage. We look forward to gathering in SOMA’s newest park where this design will inspire meaningful connections in the community, connection, and joy. 

Creativity Explored will serve as a liaison between the artists (Riccardo Estella and Ethel Revita), the San Francisco Artist Commission, the fabricators, and the community stakeholders to collaborate on the final design for this project. We will work together to modify the design, as needed, to meet opacity requirements through the inclusion of additional artwork and other fabricating methods.  

Creativity Explored will host a Community Feedback and Celebration Public Program at our studio on 16th and Guerrero Street to help inform the development of the final artwork design. For this program, we would aim collaborate with stakeholders in the SOMA to maximize our reach in the community for receiving feedback.  

This public program would include art making, food, music, and story telling in our studio to further explore themes that are important to the community. It is essential for us to create as many pathways for feedback as possible to make it an equitable and accessible process. 

View a larger image of Hillsides of Home by Ricardo Estella and Ethel Revita.

Natomarama

Jenifer K Wofford

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Natomarama’s design and title are based on the Myriorama, a classic card amusement of pictures in an infinite landscape. It also pays honor to pre-urban SOMA, and to later Filipino, leather, and queer histories of the area.  

This gate design employs a series of panels stacked 3 high and arranged in various combinations to create different stories and meanings. As with a traditional Myriorama, each stack of images has multiple, consistent points of connection so that the panels are interchangeable. 

A joyful warm yellow that evokes mango and ginkgo trees will complement the park’s red-orange-green palette. Natomarama’s color and imagery are all meant to inspire a sense of well-being and belonging, and to celebrate the diverse communities of SOMA. 

Mystery, History  

Fog. Mist. Bay. Birds. Marsh. Moon. Hills. Rock.  

The gate’s imagery and symbols refer to the natural world of the Bay and the presence of communities past and present, while other images are more mysterious, poetic and symbolic. Other images will be developed in conversation with the SOMA community. 

The landscape evokes the Bay before colonization and urbanization, like the marshes that were originally present in what is now SOMA.  

The ring-like moon reflects the circular motion and philosophy of the aikido dojo nearby. The portals and posts provide others gateway into dreamier realms. The kite activates the sky further, adding lightness: it is emblazoned with a manufacturer’s leather symbol as a subtle nod to SOMA’s leather community. 

Structures, Strength 

Two trees, mango and ginkgo, are featured prominently. These two trees are also showcased on the angled corner fence panels at Natoma and 11th. 

Neither tree is native to the region, but both symbolize communities that have placed their roots in SOMA, and both are symbolic and mythological motifs of Philippines, Asian, queer and trans communities.

The heart-like mangoes also resemble the heart-like rocks on the ground, which rest there as symbols of time and endurance. 

All park gate panels will be made of strong, low-maintenance powder-coated aluminum that is very easy to clean and touch up. 

Fine perforated mesh and gradient screens connect the panels, creating both transparency and structural stability. 

View a larger image of Natomarama by Jenifer K Wofford. 

Opportunity For Public Comment

Please take a few minutes to review these artwork proposals and provide feedback. The proposals are available online at www.sfartscommission.org/calendar/proposal-displays, or accessed by the QR Code below, where you can leave feedback in the public comment form. Comments may also be submitted via email to sfacpublicartcomment@sfgov.org by Monday, September 30, 2024 at 5:00 p.m. PST. 

Public comments will be considered by panelists as part of the Final Review Panel meeting where the Panel will recommend one proposal for implementation. Please note that public comments do not constitute a vote. The Final Review Panel meeting will take place remotely and will be open to the public. An agenda for the meeting will be posted 72 hours in advance of the meeting on SFAC’s website under the Public Meeting section: www.sfartscommission.org 

For more information, please contact: sfacpublicartcomment@sfgov.org, or (415) 252-2100. Materiales traducidos están disponibles para usted de manera gratuita. Para asistencia, notifique a sfacpublicartcomment@sfgov.org, or (415) 252-2100.  我們將為閣下提供免費的書面翻譯資料。 如需協助,sfacpublicartcomment@sfgov.org, or (415) 252-2100. Ang mga materyales na nakasalin sa ibang wika at ang mga serbisyong tagapagsalin sa wika ay walang bayad. Para sa tulong, maaring i-contact si sfacpublicartcomment@sfgov.org, or (415) 252-2100. 

For more information on the 11th and Natoma Park (“Rachele Sullivan Park”) Project, please visit San Francisco Recreation and Parks project page: https://www.sfrecpark.org/1635/Rachele-Sullivan-Park-Project 

What's Coming Up

Public Meeting

Advisory Committee of Street Artists and Crafts Examiners

July 02
/
10:30 AM to 12:00 PM

Hybrid: 401 Van Ness | Rm 125 and Online
Public Meeting

Advisory Committee of Street Artists and Crafts Examiners

April 02
/
10:30 AM to 12:00 PM

Hybrid: 401 Van Ness | Rm 125 and Online
Public Meeting

Advisory Committee of Street Artists and Crafts Examiners

January 08
/
10:30 AM to 12:00 PM

Hybrid: 401 Van Ness | Rm 125 and Online
Public Meeting

Executive Committee Meeting

December 18
/
1:00 PM to 2:30 PM

Hybrid: 401 Van Ness | Rm 125 and Online